There are so many of these groups that I don’t suppose it really matters what this one is called. Call them the Ummagumma Clan.
They are virtually identical to any of the costumed vigilante groups who sprang up in the fifties, sixties, and even the seventies and eighties. You may call them superheros if you wish, though none have super powers. The media never cared to make that distinction.
Many of them began with secret identities, but those didn’t last long. Walking through the base, it is, perhaps, obvious as to why.
As the ‘secret entrance’, which is, in fact, surrounded by paparazzi, closes, there is no one in view. “Superheros don’t hang around in lobbies”, the Maiden Margarita had once sniffed, disapprovingly. This is an entrance, not a lobby, but the theory is the same.
Speaking of Maiden Margarita, she comes into sight as soon as one enters the main part of the secret base. Lounging on a sofa, she seems to be in her ‘full’ costume (which consists of very little actual fabric), although one would wager that she has no plans to work today. She’s sipping a glass of what one would guess to be her namesake, although I merely recognise it since she is never pictured without it. I don’t drink myself. Clouds the thinking, not that she seems to mind.
Speaking of names, Margarita is hardly a maiden either, and her skimpy costume doesn’t indicate that she’s unhappy with that state of affairs. Of course, it is possible to wear skimpy costumes and be completely innocent, but Margarita’s manner betrays the benefit of that doubt. She calls something to me as I walk past, some crude remark about ripping my costume off, finally unmasking me and seeing what kind of man I am. I ignore her.
I am the only one who has never been seen out of costume. The only one not to be dramatically unmasked, not to sell pictures of my home and life to the media. The only one to wear a costume which covers every inch of skin, if it comes to that, which doesn’t cling to every curve. The others favour more skimpy outfits, and flimsy masks which are easily removed. Mine covers my entire face.
I pass Echo Man in the entrance to the next room, as I leave Maiden Margarita. He raises his eyebrows at me in a look of scorn, which soon leaves his expression when he walks towards her. He doesn’t like my style, the fact that I prefer to avoid fighting, and find sneakier ways of doing things. They need someone like me in the group, to keep from being petty thugs, but they don’t like me for it. For my part, I don’t like the way his muscles are obvious under his latex costume; the veins crawl along them like worms under the skin, an image which has always disturbed me.
Bonzo, Eclipse and Foxey are arguing as I enter what we refer to as the control room. Bonzo starts when he catches a glimpse of me. He bothers me perhaps the least out of everyone here, but I scare him the most. He is the only one who has never worn a mask, preferring to use clown make-up to cloud his features. His costume wasn’t too tight either, at least not at first. Over the years it has changed, to become more in line with those of Echo Man, Eclipse or even Captain Kashmir, who is away from the base at this point. He’s probably the least arrogant of the four, although that’s hardly difficult.
Bonzo isn’t in costume at the moment, instead dressed in jeans and a T-shirt. He is strong, but one could easily pass him on the street without a second glance, which he prefers, I believe. Although he enjoys the attention of heroics, he also likes to be able to switch it on and off.
I scare him because, although I don’t go in for the cartoony violence that the boys prefer, I am not afraid to break someone’s fingers for information. I have no problem with chaining a multiple rapist to a pipe in a burning building, although I will offer him a hacksaw to at least give him a fighting chance of escape. I’ll even be nice enough to point out that he’ll only waste time if he tries to cut through the cuffs, and that he’ll need to try something else.
Surprisingly few of them ever take me up on that offer, and those who do walk straight into the arms of an angry mob. For some reason, this scares the poor little clown.
Eclipse doesn’t like to show that he’s afraid of me, though I believe that I do worry him a little. Whatever he feels, he hides it under bravado and insults.
“Well, well, it’s the blot!” he cries jovially, with half an eye on Foxey for her reaction. “Been skulking in the shadows again?”
I ignore him, walking past him to the computer. I wonder why he has so much trouble pronouncing a simple three letter word.
“Hey, blot!” he says, annoyed now. “I asked you a question.”
He steps closer to me. I turn around and look up at him, my face blank, as it always is in this mask. Staring into the darkness seems to unnerve people, although to his credit he keeps the act of bravado up a little longer. Behind him, Foxey giggles into her hand. I can read her like a book – one of those little ones about bunnies. She adores the feeling of what she perceives as two men fighting for her attention. She’s always been a bit like that.
Eclipse stalks away, taking her by the hand as he does so. His black cape swishes behind him as the door closes, an effect I’m sure he’d be pleased by. Bonzo walks out after them, with a half-hearted wave to me. Afraid of me as he is, he doesn’t dislike me, unlike the Eclipse.
The Eclipse usually attempts to taunt me. He has to be able to think of himself as the alpha male, with everyone else competing with him but never quite surpassing him. Except for Foxey and the Maiden, naturally. They are the admiring crowds. Of course, from their point of view, this entire masculine display is for their benefit, so they’re perfectly happy with it, most of the time. There’s nothing wrong with that, of course – sexual politics are always going to be a part of the world. But, I want no part of it, and this is something that they simply cannot grasp.
The Eclipse knows that I achieve more with a little of my ‘skulking’ than he does in hours of fighting criminals. It’s just that, to him, it doesn’t seem like the proper way of doing things, the macho way, the way men are supposed to do it. For my part, I couldn’t care less for the proper way. The effective way is more important.
I spend a few hours on the computer. I have one at home, of course, but I cannot plan missions from there.
Well, okay, I could, but I would rather not reveal that ability. Would rather they didn’t realise that I could control this entire base from the comfort of my own home. I’ve never needed to use that ability, but I always like to be three or four moves ahead of the rest of the world.
Soon, it is time for me to head to the aforementioned home. I log out of my ID, and begin to leave.
Perhaps it is time to describe my costume. A full body layer of shifting black and grey shades, covered in a long grey trench coat. Nothing clinging, nothing skin-tight. My facial features cannot even be made out through the costume.
The only recognisable thing about me is the costume itself. I believe this is why I’ve yet to be unmasked. Everyone else has some detail, some tiny little thing, which links their real identities with their super identities. They don’t really care for secrecy. I do.
As I leave, I overhear Foxey and the Maiden discussing me. They don’t think I’m as manly as the others, and they are also a little afraid of me. But, as Foxey confesses, this strangeness, the way I overturn their expectations, is also a little arousing.
I laugh, all the way home.
Although I live fairly close to the base, it takes me far longer to get home than might be expected. I don’t use the jet, which would signal my presence to everyone within a five mile radius, and nor do I simply walk there through the streets. I use a convoluted path of roofs and cellars to avoid being seen on my way to my home. To ensure that, although I cannot completely break the connection, I at least twist and distort it as much as I possibly can.
Finally, I reach home, sure that no one has followed me. Once there, I remove the trench coat, hanging it by the door, out in full view. A trench coat is not a particularly suspicious item – it would be more suspicious, more revealing, if I attempted to hide it. But then, who could possibly suspect me of being Ink? They’d probably come to the conclusion that I’d been hiding him, rather than that I was him.
The inky dark costume I slide out of, folding it up carefully and hiding it under the floorboards, where I could, conceivably, deny its existence. That, coupled with the sheer disbelief anyone would have of my connection to Ink, should keep my identity safe.
I smile to myself as I prepare for bed. Perhaps I am not so different from the others. After all, I like to be surrounded by attention, and a dramatic kind of mystery. I just like to compartmentalise it, to keep each part of my life separate. And so far, I am sure, I have been successful. Before I sleep, I think over Foxey and the Maiden, and their conclusions about me. I am sure that I am safe.
No one would ever believe that Ink is a woman too.